Q: Has moving to New York City from New Hampshire been a massive change of pace?
John Andrews: I’m definitely currently stepping out of my comfort zone by living in NYC, but my plan is to move to California, and it seems like a really special time to live there. I want to move there and try and tap into the scene there a little bit. To be completely honest, I miss playing music with people. Those last few years in New Hampshire, I didn’t really feel like a musician because I was just playing alone mostly. I want to be in a community where I can just be playing music with people.
Q: What’s the biggest piece of advice you could give to a young musician who wants to get on the road and tour?
John Andrews: I started by begging people to let me play house shows… Once I started wanting to play, it was really hard to tap into the scene around me. You can’t be too overbearing, you have to be able to compromise. The biggest help was for people to allow me to be bad, and get that opportunity to be bad and then to be able to get better. You can’t expect to jump right in the first time and be amazing immediately. Allow yourself time to grow as an artist. You’re never going to feel like you’ve reached this certain point of growth, you’re always growing. Listen to songs you like and take note of what makes that song good and try to let yourself be inspired by that song. Taking inspiration from your surroundings is huge. It’s like looking at a bowl of fruit in order to paint a bowl of fruit. Also– play in other people’s bands. If you have the opportunity and have friends that have bands, playing in other people’s bands is a great learning experience and opportunity will just come from that.
Q: Tell me a little bit about the conception of your solo project, John Andrews & The Yawns…
John Andrews: I’ve been writing since I was about 26 or so. It was under a different name for many years. When I started to play with Woods, Jeremy Earl asked me if I wrote any of my own music. So I played him a song and instantly he was like, “Dude, I’ll put this out (on Woodsist Records) just finish the record and send it over.” I had like two songs and I decided to make a record and put it out (Bit by the Fang). I was still learning how to be a writer, but in the long run, I’m glad that it exists and it’s out there because people can see the growth and it’s a prime example of learning as you’re going.
Q: I saw online that most of Cookbook was written 4 + years ago… When you look back on that record now, does it feel like your newest stuff or does it seem much different to the stuff you may be writing nowadays?
John Andrews: I’m definitely proud of it, but there are still things I would change and do differently. That record represents who I was four years ago, and it’s still not an accurate representation of the songwriter I am now. I wasn’t touring and playing shows as The Yawns even before Covid happened, so I didn’t have an opportunity to play the record live. So I’m still very proud of it and it’s been so fun to play them live now.
Q: My favorite song on Cookbook is probably River of Doubt, it definitely was the song I discovered that put me onto your music. Can you tell me a little bit about the backstory of that song?
John Andrews: That’s a song that I began writing in 2017. I didn’t record a version of it that I was happy with until 2019. It’s basically just a song about a friend that kind of helps you get out of your ruts. I can get down on myself and stressed out, so it’s about any friend that’s willing to listen to me rant about my problems and help me get out. I’m very appreciative of the friends that do that. In a way, it’s also about falling in love with the person who’s helping you through that.
Q: Do you have any new music you’re working on or are you primarily focused on touring and playing shows?
John Andrews: I have a whole record that’s finished, we’re just mixing it and then it’s done. Hopefully, it’ll be out around this time next year. I’m really proud of it and it’s the first record I did completely live with all of the musicians in the room. I hired a string quartet so it’s kind of more old-school and cinematic feeling.